Tag Archives: movie

“We should do this more often.”

Sympathy for Mr. Vengeance

from Sympathy for Mr. Vengeance

Rebloggers offer cute translations like “o god i cant breathe” and “You’re doing a really good job.”

According to the English subtitles, she’s saying, “You’re like an ant.” But that’s not plainly romantic out of context.

Sympathy for Mr. Vengeance currently available on Netflix Watch Instantly

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Bloody Pig Fellatio

bruce labruce

Bruce LaBruce, photographer/filmmaker/pornographer, seems to have a taste for ketchup on pork.

If you don’t know of Bruce LaBruce,  you are as uncool as I was a few days ago. Lucky for us, learning to be hip is as easy as watching the following trailer, which consists of accolades from people like Richard Kern, John Waters, and Gus Van Sant:

The doc, The Advocate for Fagdom, is currently on its festival run.

Bruce LaBruce (official site)
@ iafd
@ imdb
The Bad Breast (short film)

(more…)

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I had a very tame and mild love scene with Jon Hamm. It was like heavy breathing and making out. It was hardly a sex scene… I think that it’s great for this young girl to actually take control of her own sexuality. Well, the MPAA doesn’t like that. They don’t think a girl should ever be in control of her own sexuality because they’re from the Stone Age. I don’t know what the fuck is going on and I will openly criticize it, happily. So essentially, they got Zack to edit the scene and make it look less like she’s into it. And Zack said he edited it down to the point where it looked like he was taking advantage of her. That’s the only way he could get a PG-13 (rating) and he said, ‘I don’t want to send that message.’ So they cut the scene!

Emily Browning on Sucker Punch sex scene

How disgusting.

Also see: PG-13 ‘King’s Speech’ out April 1st, This Film is Not Yet Rated (Netflix)

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hocus pocus porn

I put a spell on you.

Am I the only one who is reminded of Hocus Pocus when I look at this?

SOURCE UNKNOWN (Jordan Fleiss?)

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VIDEOS: Orgasm, Dolls, & Gender

I’ve compiled a new post to fill in space during these empty times. As I browsed Tiny Nibbles’ recent past, I found three [loosely] related videos worthy of sharing.
= )
Trailer for Orgasm Inc., a documentary about the capitalization of the female orgasm.

“Honey Pie”, a hi-def look at Matt McMullen and his creations: Real Dolls, part of the California is a Place series.

Are Women as Horny as Men?

A year-old video by Gavin McIness provokes a robust debate on the differences between the sexes. Most women have trouble getting off. Men are so insatiable they want sex dolls. Right?

  

“Who’s hornier?” is a question of gender and sex, of nurture vs. nature. It’s not easily dismissed. Pick the source that’s on your side: Women OR Men. A physical comparison between the menstrual woman and the sperm machine seem to indicate that men are and will always be up for sex. Yet there’s the influence of societal norms to consider. Gender roles, though they have been meshing, still evoke past generations: men are hound dogs, women are reserved.

McIness’ strongest point is the tepid sexualization of men. Bachelorette parties have been known to include male strippers and (non-lesbian) women do find men extremely sexy. But if I count all the people on sexy magazine covers, list all the models and porn stars I know of… you already know which sex will outnumber the other. I’ve only seen, maybe, one photo of hot guys sucking Popsicles. Is it that women are evolutionarily prone to exude more sex appeal than men? Has the horny heterosexual patriarchy coerced femininity into being sexier than masculinity? I read somewhere that men prefer overt imagery to get aroused. Thus the market speaks: Scantily clad women for all! Also…

Just in: the video is meant to incite laughter rather than an essay.

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Richardson Magazine A4


Issue A4 of Richardson Magazine has at last left the printers. It’s appropriate that Sasha Grey beautifies the cover; a new issue comes out as often as a new porn star is queened.* The last three cover girls: Alisha Klass, Jenna Jameson, and Tera Patrick.

Also, the website has been retouched. Gone are the flash previews of the magazine’s insides. (See the lovely montage video for a peek at the back issues.)  Now a boxy layout links to complimentary content, including interviews with Sasha Grey, rough sex clips featuring Grey, a public cervix announcement, Carolee Schemann’s sex art, and a full length experimental film from Valie Export.

Richardson Magazine | A4 | Buy


Clip from Valie Export’s Invisible Adversaries <- free stream
Buy DVD

*I don’t mean facesitting. And Sasha Grey may be a revolutionary rather than a monarch.

P.S. I hate when magazines censor their covers. If I buy a sexy mag, I want the outside to be just as liberated as the inside.

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I Watched ’9 to 5: Days in Porn’


Pornography has never been as widely available or consumed as it is today; it’s not news. Yet shame tucks it away, keeping the porn industry from the public discourse. We repress, we hide from reality. The public bases their image of the business on the occasional censored TV special and, of course, the stereotypes. A liberated portrayal is far from the view of an abashed society. This is what Jens Hoffman’s unrated documentary on the people in porn, 9 to 5: Days in Porn, attempts to correct.

Moments of bias can’t be entirely escaped in the editing room, but 9 to 5 is all in all merely observant. Hoffman surrenders the podium to the veterans and newbies of the industry, allowing the voice of the film to be solely that of the insiders.

Like all great documentaries the movie owes its success to its subjects: Otto Bauer and Audrey Hollander, the porno couple, challenge middle-America’s perception of marriage every time they fuck other people on porn sets. A controlling Otto is content with the status quo, while the film strongly suggests Audrey is struggling inside, comprising for love. But rookie Sasha Grey and her boyfriend are happy. Hoffman catches Grey on her rise as the game changer in the industry. She’s the idealist with conviction and a self-described fuck junkie. Gaging on cock, slimy with saliva and semen, Sasha Grey makes her competition Mia Rose look prissy. Rose admits she’s not sure what she wants in life. Roxy Deville could care less, distancing herself from the biz, only performing for the paycheck. But Katja Kassan is the real pro; she’s up for anything that’ll pay. Belladonna (mother, wife, porn star and Sasha Grey’s inspiration), then, is the fulcrum of the featured stars.

The sleaziest looking character is not a pornographer but the valley’s most sought-out agent, Mark Spiegler. In actuality he’s the most professional and is kind enough to house aspiring starlets. Jim Powers, punk rocker turned overexcited porn director, refers to him as a pimp. On his own work Powers laughs, “I just work in a shit factory and I keep on pumping it out.” John Stagliano a fellow peddler of obscenity explains that they’re only producing what people demand.

Dr. Sharon Mitchell is probably the voice with the most clout. She was a burnt-out porn star before getting her Ph.D. in human sexuality and starting AIM (industry’s health care). Dr. Mitchell offers some of the harshest criticisms, but does it with care as Hoffman labels her “The Good Soul”.

Porn connoisseurs will recognize other faces: Lorelei Lee, Ava Rose, Jonni Darkko, and Nina Hartley. Kimberly Kane and Andrew Blake, unfortunately, get one line each.

(more…)

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Catherine Breillat’s ‘Une vraie jeune fille’

Cross-post from The Grey Line

French novelist and filmmaker Catherine Breillat (director of Sasha Grey’s 4th favorite film) is a regular when it comes to depicting sexuality in her work. Her movie 36 Fillete was advertised as “the French ‘Lolita’!” She’s cast porn star Rocco Siffredi twice, and made a film about the trouble of filming sex scenes, Sex Is Comedy. Yet, nothing has given Breillat more strife than her debut, Une vraie jeune fille (A Real Young Girl). Made in 1976, it was banned in theaters until 2000.


Charlotte Alexandra plays 14-year-old Alice, a boarding school student returning home for the summer. She’s experiencing a sexual awakening and is quite a filthy girl. By filthy, I mean she doesn’t attend to the mess after vomiting on herself and uses her finger as a cotton-tipped swab. “Disgust makes me lucid,” Alice narrates. Also, there’s a sequence involving a mutilated worm and her vagina. Some scenes are surreal imaginings. All are about self-discovery and her sexual qualms.

Breillat never denies the viewer an explicit look at Alice’s curiosities or desires. At the same time, not once do you feel like a voyeur. It may be risky for film to show the vulva of a young teen character* (that’s what provoked controversy), but we often forget or ignore that sexual development starts before adulthood. Although challenging, such a subject must not be neglected.

Catherine Breillat tackles the theme with full force. There’s not a bolder representation of (female) adolescence than Une vraie jeune fille.



Options:
Buy/Rent (it’s on Netflix, thanks Muna)
Stream it on Google Video without English subtitles (low quality)

*actress was over 18 at the time

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